I tweeted last night that five years ago Alicia Keys at
Vector Arena rocketed into my all-time top 10 concerts and that there was no
pressure on Alicia as a result. When she was nearly 30 minutes late taking the
stage, rumours* started circulating that due to my tweet she was feeling
overwhelmed with nerves.
it was so perfect as to be a moment in time never to be bettered. As
a result, he didn’t want to go to last night’s show, preferring to leave Alicia
08 untouched by rivals.
always be making an effort to see live. Just the choice of her opening act –
John Legend – and her pre-show music – Stevie Wonder and Michael Jackson –
reaffirms that she is a modern artist for people who grew up loving the greats
of classic soul and R&B.
world. Why not! Every angle, every expression, she is beautiful in the purest sense of the
word. She is also sexy without being explicit, writes all her own songs, has a huge set of pipes, plays a fine
classical piano and is also one of the most generous music philanthropists of
her generation. And not forgetting she must be a pretty
cool mother, dancing with her three-year old heartbreaker-to-be son Eygpt at
the show’s closing.
fun of 2008 which really felt like a raucous night at the Apollo, though it did
get close several times, especially on crowd-favourite No-One. Obvious differences from 08 included the hits
since then like encore Girl On Fire, the 60s soul throwback Tears Always Win
and best of all, the anthemic Jay-Z (via the big screen) collaboration Empire
State Of Mind.
simple matter that her album that year (LP #3, entitled As I Am) is arguably
more carefree than the two fine follow-ups. With fewer tracks performed from
that album last night than five years ago, perhaps that’s why, but this is needlessly picky. In an of itself, last night’s concert reminded me why I fell for Alicia Keys the first time I heard Fallin’ more than a decade ago: musically she is the closest thing my generation has to Stevie Wonder.
of these two songs as very Bacharach-like in their melodies and after the breakout hit of Fallin’, signalled to soul fans that she was going to be
around a very long time.
composers to have lived so that’s meant as the highest of praise. Here are You
Don’t Know My Name and If I Ain’t Got You: